McLuhan’s Photographic Gestalt (and the project of the object world)

Authors

  • Tom McGlynn

DOI:

https://doi.org/10.17742/IMAGE.MA.8.3.6

Abstract

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Author Biography

  • Tom McGlynn

    Tom McGlynn est un artiste, écrivain et conservateur indépendant établi dans la région de New York. Son travail d’art visuel est représenté dans les collections permanentes du Whitney Museum, du Museum of Modern Art, et du Cooper-Hewitt, Smithsonian Design Museum. Son travail et son écriture critique ont été publiés, entre autres, dans Artforum et &&& Journal. Il collabore à The Brooklyn Rail depuis 2012 en tant qu’éditorialiste et il est affilié à Parson/The New School, NY. En septembre et octobre 2017, le Rick Wester Fine Arts, NY, a présenté une exposition solo de ses peintures.

    Tom McGlynn is an artist, writer, and independent curator based in the NYC area. His visual art work is represented in the permanent collections of the Whitney Museum, The Museum of Modern Art, and The Cooper- Hewitt National Design Museum of the Smithsonian. His work and critical writing has been published in Artforum, and in &&& Journal among other publications. He has been a contributor to The Brooklyn Rail since 2012, where he is an editor at large, and is academically affiliated with Parsons/ The New School, NYC. In Sept-Oct 2017, a recent one- person exhibition of his paintings were shown at Rick Wester Fine Arts , NYC.

References

Marshall McLuhan and the Arts

Downloads

Published

2018-08-12

Issue

Vol. 8 No. 3 (2017): Marshall McLuhan and the Arts

Section

Articles

License

Creative Commons License
This work by https://journals.library.ualberta.ca/imaginations is licensed under a  Creative Commons 4.0 International License although certain works referenced herein may be separately licensed, or the author has exercised their right to fair dealing under the Canadian Copyright Act.

How to Cite

McLuhan’s Photographic Gestalt (and the project of the object world). (2018). Imaginations: Journal of Cross-Cultural Image Studies, 8(3), 83-98. https://doi.org/10.17742/IMAGE.MA.8.3.6