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  3. Vol. 3 No. 1 (2012): Special Dossier: Stealing the Image

Vol. 3 No. 1 (2012): Special Dossier: Stealing the Image

Published: 2012-05-21

Articles

  • Introduction

    Daniel Laforest
    2
    • PDF
  • Portfolio

    Tanya Ury
    3
    • PDF
  • Interview

    Tanya Ury, Claude Desmarais
    4-9
    • PDF
  • RELATIONSHIPS OF OWNERSHIP: ART AND THEFT IN BOB DYLAN’S 1960S TRILOGY

    Michael Rodgers
    17-29
    • PDF
  • PORTRAITS D’UN IMAGINAIRE DE L’AVANT-GARDE : LE CARRÉ NOIR SUR FOND BLANC DE KAZIMIR MALEVITCH ET SES RÉINCARNATIONS ARTISTIQUES

    Geneviève Cloutier
    30-43
    • PDF
  • IN POSSESSION OF A STOLEN WEAPON: FROM JOHN GAY’S MACHEATH TO RUBÉN BLADES’ PEDRO NAVAJA

    Antonio Viselli
    45-60
    • PDF
  • STEALING OR STEELING THE IMAGE? THE FAILED BRANDING OF THE GUERRILLERO HEROICO IMAGE OF CHE GUEVARA

    Maria-Carolina Cambre
    64-87
    • PDF
  • TRAUMA NARRATIVES, MIXED MEDIA, AND THE MEDITATION ON THE INVISIBLE

    Christof Decker
    92-104
    • PDF
  • PERCEPTIONS OF JEWISH FEMALE BODIES THROUGH GUSTAV KLIMT AND PETER ALTENBERG

    Susanne Kelley
    109-122
    • PDF

Dialogues

  • Skype Dialogue

    Tanya Ury, Claude Desmarais
    10-16
    • PDF

Review Essays

  • (E)MERGING DISCOURSES: ARCHITECTURE AND CULTURAL STUDIES

    Sarah McGaughey
    123-131
    • PDF

who

WHO WE ARE

Imaginations is a multilingual, open-access journal of international visual cultural studies. It is published twice yearly and is double-blind peer-reviewed. As a knowledge democracy project, Imaginations is free to submit to and free to read. Founded at the University of Alberta in 2010, the journal is funded by the federal granting agency of the Social Sciences and Humanities Research Council of Canada (SSHRC).

University of Alberta LibraryImaginations | ISSN: 1918-8439
Editor-in-Chief: Markus Reisenleitner 
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