Vol. 5 No. 2 (2014): Terrorism and its Legacy in German Visual Culture

View Vol. 5 No. 2 (2014): Terrorism and its Legacy in German Visual Culture

DOI: https://doi.org/10.17742/IMAGE.TGVC.5-2

Published: 2014-10-03

Articles

Terrorism and its Legacy in German Visual Culture

Noah Soltau, Maria Stehle

4-6
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AUSSTEIGEN (GETTING OUT) IMPOSSIBLE—MONTAGE AND LIFE SCENARIOS IN ANDRES VEIEL’S FILM BLACK BOX BRD

Anja Katharina Seiler

7-28
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THE AESTHETICS OF VIOLENCE AND POWER IN ULI EDEL’S DER BAADER MEINHOF KOMPLEX

Noah Soltau

29-45
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ASKEW POSITIONS—SCHIEFLAGEN: DEPICTIONS OF CHILDREN IN GERMAN TERRORISM FILMS

Maria Stehle

46-66
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“INSPIRED BY REAL EVENTS”—MEDIA (AND) MEMORY IN STEVEN SPIELBERG’S MUNICH (2005)

Thomas Nachreiner

67-87
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“JEDES HERZ…”: TERROR AND HORROR IN DIE FETTEN JAHRE SIND VORBEI

R. Eric Johnson

88-102
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“MIRRORING TERROR”: THE IMPACT OF 9/11 ON HOLLYWOOD CINEMA

Thomas Riegler

103-119
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SHOOTING HISTORY: AN INTERVIEW WITH SWISS ARTIST CHRISTOPH DRAEGER ABOUT THE REENACTMENT OF TERRORISM IN HIS VIDEO INSTALLATION BLACK SEPTEMBER (2002)

Sebastian Baden

120-143
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