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  3. Vol. 5 No. 2 (2014): Terrorism and its Legacy in German Visual Culture

Vol. 5 No. 2 (2014): Terrorism and its Legacy in German Visual Culture

					View Vol. 5 No. 2 (2014): Terrorism and its Legacy in German Visual Culture
DOI: https://doi.org/10.17742/IMAGE.TGVC.5-2
Published: 2014-10-03

Articles

  • Terrorism and its Legacy in German Visual Culture

    Noah Soltau, Maria Stehle
    4-6
    • PDF
  • AUSSTEIGEN (GETTING OUT) IMPOSSIBLE—MONTAGE AND LIFE SCENARIOS IN ANDRES VEIEL’S FILM BLACK BOX BRD

    Anja Katharina Seiler
    7-28
    • PDF
  • THE AESTHETICS OF VIOLENCE AND POWER IN ULI EDEL’S DER BAADER MEINHOF KOMPLEX

    Noah Soltau
    29-45
    • PDF
  • ASKEW POSITIONS—SCHIEFLAGEN: DEPICTIONS OF CHILDREN IN GERMAN TERRORISM FILMS

    Maria Stehle
    46-66
    • PDF
  • “INSPIRED BY REAL EVENTS”—MEDIA (AND) MEMORY IN STEVEN SPIELBERG’S MUNICH (2005)

    Thomas Nachreiner
    67-87
    • PDF
  • “JEDES HERZ…”: TERROR AND HORROR IN DIE FETTEN JAHRE SIND VORBEI

    R. Eric Johnson
    88-102
    • PDF
  • “MIRRORING TERROR”: THE IMPACT OF 9/11 ON HOLLYWOOD CINEMA

    Thomas Riegler
    103-119
    • PDF
  • SHOOTING HISTORY: AN INTERVIEW WITH SWISS ARTIST CHRISTOPH DRAEGER ABOUT THE REENACTMENT OF TERRORISM IN HIS VIDEO INSTALLATION BLACK SEPTEMBER (2002)

    Sebastian Baden
    120-143
    • PDF

who

WHO WE ARE

Imaginations is a multilingual, open-access journal of international visual cultural studies. It is published twice yearly and is double-blind peer-reviewed. As a knowledge democracy project, Imaginations is free to submit to and free to read. Founded at the University of Alberta in 2010, the journal is funded by the federal granting agency of the Social Sciences and Humanities Research Council of Canada (SSHRC).

University of Alberta LibraryImaginations | ISSN: 1918-8439
Editor-in-Chief: Markus Reisenleitner 
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