Vol. 8 No. 3 (2017): Marshall McLuhan and the Arts

Articles

• McLuhan and the Arts After the Speculative Turn

  Adam Lauder, Jacqueline McLeod Rogers

  5-24

  • PDF

• Printing a Film to Make it Resonate: Sorel Etrog and Marshall McLuhan’s Spiral

  Elena Lamberti

  25-38

  • PDF

• Mansaram and Marshall McLuhan: Collaboration in Collage Art

  Alexander Kuskis

  39-56

  • PDF

• Critique, texte et art contemporain. Repenser l’héritage de Marshall McLuhan aujourd’hui

  Adina Balint

  57-70

  • PDF

• Songlines, not Stupor: Cheryl L’Hirondelle’s nikamon ohci aski: songs because of the land as Technological Citizenship on the Lands Currently Called “Canada”

  Jessica Jacobson-Konefall, May Chew, Daina Warren

  71-82

  • PDF

• McLuhan’s Photographic Gestalt (and the project of the object world)

  Tom McGlynn

  83-98

  • PDF

• L(a)ying with Marshall McLuhan: Media Theory as Hoax Art

  Henry Adam Svec

  99-110

  • PDF

• Marshall McLuhan’s Counterenvironment within the Stream of Defamiliarization

  Kenneth R. Allan

  111-128

  • PDF

• Our World: McLuhan’s Idea of Globalized Presence as the Prehistory of Computational Temporality

  Mohammad Salemy

  129-138

  • PDF

• Assembling the (Non)Human: The Animal as Medium

  Jody Berland

  139-152

  • PDF

• The Designscapes of Harley Parker: Print and Built Environments

  Gary Genosko

  153-164

  • PDF