Snapshots as History: The Black Archives Project

Authors

  • Rick Halpern University of Toronto

DOI:

https://doi.org/10.17742/IMAGE29678

References

Auslander, Leora, “Reading German Jewry through Vernacular Photography: From the Kaiserreich to the Third Reich,” Central European History, 48:3 (2015): 300–34.

Bunch, Lonnie G. et. al., Pictures with Purpose: Early Photographs from the National Museum of African American History and Culture. Giles 2019.

Calafato, Özge Baykan. Making the Modern Turkish Citizen: Vernacular Photography in the Early Republican Era, IB Tauris 2022.

Cherlise, Renata. Black Archives: A Photographic Celebration of Black Life. Ten Speed Press 2023.

Combs, Rhea and Deborah Willis, “American Families” Aperture, 233 (2018): 96–103.

Edwards, Elizabeth. “Photography and the Performance of History,” Kronos 27:12(2001): 15–29.

Fox-Amato, Matthew, Exposing Slavery: Photography Human Bondage and the Birth of Modern Visual Politics in America, Oxford University Press 2019.

Ryzova, Lucie. “The Image sans Orientalism.” Middle East Journal of Culture and Communication 8:2 (2015): 159–71.

Spence, Jo and Patricia Holland, Family Snaps: The Meaning of Domestic Photography. Virago 1991.

Phu, Thy, Warring Visions: Photography and Vietnam, Duke University Press 2022.

White Shane and Graham White. Stylin’: African American Expressive Culture from Its Beginnings to the Zoot Suit. Cornell University Press 1998.

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Published

2023-04-01

How to Cite

Halpern, R. (2023). Snapshots as History: The Black Archives Project. Imaginations: Journal of Cross-Cultural Image Studies. https://doi.org/10.17742/IMAGE29678

Issue

Section

Elicitations