IN SEARCH OF AUTHENTICITY: TIME AND SPACE IN RUSSIAN HORROR FILM

Auteurs-es

  • Volha Isakava

DOI :

https://doi.org/10.17742/IMAGE.scandal.4-1.6

Résumé

The paper looks into recent Russian horror films, exploring how the genre conventions associated with Hollywood are transformed and upheld in Russian cinema. The paper argues that the use of space, particularly urban venues, in horror films establishes a sense of authenticity and marks otherwise derivative generic productions as uniquely Russian. The films examined are Night and Day Watch duology (2004, 2006), Trackman (2007) and Dead Daughters (2007); all are set in contemporary Moscow.

Références

Téléchargements

Publié

2013-08-22

Numéro

Vol. 4 No. 1 (2013): Scandals of Horror

Rubrique

Articles

Licence

Creative Commons License
This work by https://journals.library.ualberta.ca/imaginations is licensed under a  Creative Commons 4.0 International License although certain works referenced herein may be separately licensed, or the author has exercised their right to fair dealing under the Canadian Copyright Act.

Comment citer

IN SEARCH OF AUTHENTICITY: TIME AND SPACE IN RUSSIAN HORROR FILM. (2013). Revue D’études Interculturelles De L’image, 4(1), 35-50. https://doi.org/10.17742/IMAGE.scandal.4-1.6