FILMSTADT IN THE VORSTADT: LOCATIONALITY IN THE FILMMAKING PRACTICE OF MIHÁLY/ MICHAEL KERTÉSZ/ CURTIZ

Auteurs-es

  • Susan Ingram

DOI :

https://doi.org/10.17742/IMAGE.periph.5-1.7

Résumé

The article examines the largest and most monumental of the silent film epics produced in the Austrian republic: Sodom und Gomorrha (1922). In seeking out the film’s shooting location, an abandoned site of clay pits  and hilly grasslands at the southern edge of Vienna, the article explores what the site’s history and current incarnation as part of a Kurpark reveal about the filmmaker’s urban imaginary and the role of technology in modernizing it, and it establishes parallels between the early work he did under the name Michael Kertész and the later success of his cult classicCasablanca.

Références

Téléchargements

Publié

2014-04-28

Numéro

Vol. 5 No. 1 (2014): Perceived Peripherality and Places Images: The City, the Region, the Border

Rubrique

Articles

Licence

Creative Commons License
This work by https://journals.library.ualberta.ca/imaginations is licensed under a  Creative Commons 4.0 International License although certain works referenced herein may be separately licensed, or the author has exercised their right to fair dealing under the Canadian Copyright Act.

Comment citer

FILMSTADT IN THE VORSTADT: LOCATIONALITY IN THE FILMMAKING PRACTICE OF MIHÁLY/ MICHAEL KERTÉSZ/ CURTIZ. (2014). Revue D’études Interculturelles De L’image, 5(1), 100-112. https://doi.org/10.17742/IMAGE.periph.5-1.7