Fade of the Polaroid: Towards a Political Ontology of the 70s

Auteurs-es

DOI :

https://doi.org/10.17742/IMAGE.p70s.9.1.1

Mots-clés :

70s, visual culture, film

Biographie de l'auteur-e

  • Andrew Pendakis, Brock University

    Andrew Pendakis is an Associate Professor of Theory and Rhetoric at Brock University and a Research Fellow at the Shanghai University of Finance and Economics. His essays on topics ranging from dialectics to plastics have appeared in South Atlantic Quarterly, Jacobin, Third Text, E-Flux, Critical Inquiry, and other journals. He is also a co-editor of Contemporary Marxist Theory: A Reader, The Bloomsbury Companion to Marx, and the John Hopkins Guide to Theory.

    Andrew Pendakis est professeur agrégé de Théorie et de Réthorique à Brock University ainsi que membre de l’Université de finances et d’économie de Shangaï. Ses essais sur des sujets allant de la dialectique au plastique ont paru dans South Atlantic Quarterly, Jacobin, Third Text, E-Flux, Critical Inquiry et autres journaux académiques. Il est également co-éditeur de Contemporary Marxist Theory: A reader, The Bloomsbury Companion to Marx, et du Johns Hopkins Guide to Theory.

Références

Still from All the President's Men

Téléchargements

Publié

2018-11-10

Numéro

Vol. 9 No. 1 (2018): The Mise-en-scène of a Decade: Visualizing the 70s | La mise en scène d’une décennie : visualiser les années 1970

Rubrique

Introduction

Licence

Creative Commons License
This work by https://journals.library.ualberta.ca/imaginations is licensed under a  Creative Commons 4.0 International License although certain works referenced herein may be separately licensed, or the author has exercised their right to fair dealing under the Canadian Copyright Act.

Comment citer

Fade of the Polaroid: Towards a Political Ontology of the 70s. (2018). Revue D’études Interculturelles De L’image, 9(1), 5-15. https://doi.org/10.17742/IMAGE.p70s.9.1.1