Resilience in Pandemic Sensemaking: Thinking Through a Community of Practice
DOI :
https://doi.org/10.17742/IMAGE.MM.12.2.7Résumé
À l'automne 2020, une série de vidéos créées pour une expérience partagée exploratoire, appelée Massive Micro Sensemaking, a été présentée au Virtual International Arts (VIA) Festival for Social Change à New York. Dans cet article, Luka considère ces vidéos comme des pratiques de résilience bienveillantes, réflexives et expressives dans un contexte de crise mondiale, tout en se demandant à qui profite la promotion d'idées sur la résilience sociale dans de telles circonstances.Références
Bastick, Zachary, Heidi Campbell, Lynnette Widder, Elizabeth Whitney. “Run bunny run”. 0:51 mins. 2020.
Bolander, Brook, Phillipa Smith, and Fiona Stirling. “Homesteading Across Time”. 2:08 mins. 2020.
Brode-Roger, Dina, Jennifer Erdely, and Peta Murray. “Braided work visual art”. 2:00 mins. 2020.
Carlson, Rebecca, Annette Markham, Fiona Stirling, and Sharon Zheng, “The Threshold of Sound”. 1:50 mins. 2020.
Cooper, Jayson. “Ice melting on artwork”. 0:23 mins. 2020.
Dunlop, Melissa, Lea Wolf, Jonathon Hutchinson, and Mark DeGarmo, “Marsh Wings Faded”. 1:07 mins. 2020.
Exquisite Corpse-19 (EXC-19). https://exc-19.com/ Producer: Midi Onodera. 2020.
Fahey, Dawne, Melissa Dunlop, and Elizabeth Whitney. “Feeling Our Way”. 2:21 mins. 2020.
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Frølunde, Lisbeth, Corinna Peterken, Louise Phillips, and Tatiana Chemi, “Braiding Dislocated Lives”. 2:25 mins. 2020.
Gallaway-Mitchell, Lee-Anne, Dina Brode-Roger, Nicola Sum, Mary Elizabeth Luka. “Land Here”. 1:11 mins. 2020.
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© Mary Elizabeth Luka 2021

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This work by https://journals.library.ualberta.ca/imaginations is licensed under a Creative Commons 4.0 International License although certain works referenced herein may be separately licensed, or the author has exercised their right to fair dealing under the Canadian Copyright Act.
