La recherche-création et la collaboration plus-qu’humaine
DOI :
https://doi.org/10.17742/IMAGE29728Résumé
Ce texte présente un ensemble de principes directeurs pour une collaboration plus-qu’humaine en recherche-création. Face à des termes aux contours flous et aux définitions mouvantes, il est essentiel d’élaborer des protocoles pratiques et théoriques afin de naviguer les activités multi-espèces de manière éthique et bénéfique pour l’épistémè émergente. Pour concevoir des cadres inclusifs favorisant l’expérimentation artistique, nous devons reconnaître les entités autres-qu’humaines comme des contributrices à part entière, plutôt que comme de simples objets d’étude. Les concepts clés de ces principes reposent sur la valorisation de la différence, l’agence et le soin au sein d’arrangements post-naturels, dans le but de décentrer l’« humain » du « plus-qu’humain ». Ces principes s’adressent aux étudiant·es, chercheur·es, artistes, artisan·es, praticien·nes et à toute personne impliquée dans une démarche artistique fondée sur la recherche.
Références
Abram, David. The Spell of the Sensuous: Perception and Language in a More-than-Human World. Vintage Books, 2017. https://projects.iq.harvard.edu/files/retreat/files/abramthespellofthesensuousperception.pdf.
Beitiks, Meghan Moe. “The Artist as Facilitator: Being Present with & Loving the Unknown.” Performance Philosophy, vol. 5, no. 1, Nov. 2019, pp. 149-57. https://doi.org/10.21476/PP.2019.51114.
Bennett, Jane. Vibrant Matter: A Political Ecology of Things. Duke University Press, 2010.
Bishop, Claire. “Information Overload: Claire Bishop on the Superabundance of Research-Based Art.” Artforum, vol. 61, no. 8, Apr. 2023, https://www.artforum.com/print/202304/claire-bishop-on-the-superabundance-of-research-based-art-90274.
Braidotti, Rosi. Posthuman Knowledge. Polity, 2019.
Braithwaite, Hunter. Agnieszka Kurant: Collective Intelligence. 17 Jan. 2018, https://brooklynrail.org/2017/12/artseen/Agnieszka-Kurant-Collective-Intelligence.
Chapman, Owen. “Research-Creation: Intervention, Analysis and ‘Family Resemblances.’” Canadian Journal of Communication, vol. 37, no. 1, Apr. 2012, pp. 5-26, https://doi.org/10.22230/cjc.2012v37n1a2489.
Confente, Oriana, et al. “Notes from a Reading Group at the End of the World.” Flat Journal, no. 3, 2023, www.flatjournal.com/work/notes-from-a-reading-group-at-the-end-of-the-world/.
Doing, Karel. “Phytograms: Rebuilding Human–Plant Affiliations.” Animation, vol. 15, no. 1, Mar. 2020, pp. 22-36, https://doi.org/10.1177/1746847720909348.
Ducros, Hélène B. “Rethinking the Human in a Multispecies World.” EuropeNow, Nov. 2021, https://www.europenowjournal.org/2021/11/07/rethinking-the-human-in-a-multispecies-world/.
Evans, Claire L. “The Algorithmic State: Wetware, Fermented Code and Artistic Inquiry.” School of Visual Arts, youtube, https://www.youtube.com/watch?v=iGCb6oJzXgI.
Florea, Mihai. “Collaborating with a Stick – Algernon Schtick Meets Nina Bambina.” OAR: The Oxford Artistic and Practice Based Research Platform, no. 4, 2021, http://www.oarplatform.com/collaborating-stick-algernon-schtick-meets-nina-bambina/.
Fokianaki, iLiana. “The Bureau of Care: Introductory Notes on the Care-Less and Care-Full.” E-Flux Journal, Nov. 2020, www.e-flux.com/journal/113/359463/the-bureau-of-care-introductory-notes-on-the-care-less-and-care-full/.
Hall, Matthew. Plants as Persons: A Philosophical Botany. State University of New York Press, 2011.
Haraway, Donna. “Anthropocene, Capitalocene, Plantationocene, Chthulucene: Making Kin.” Environmental Humanities, vol. 6, no. 1, May 2015, pp. 159-65, https://doi.org/10.1215/22011919-3615934.
---. The Haraway Reader. Routledge, 2004.
---. “Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective.” Feminist Studies, vol. 14, no. 3, 1988, p. 575, https://doi.org/10.2307/3178066.
---. Staying with the Trouble: Making Kin in the Chthulucene. Duke University Press, 2016.
---. The Companion Species Manifesto: Dogs, People, and Significant Otherness. Prickly Paradigm Press, 2003.
Hoff, Kate. “An Introduction to Responsible Foraging.” North American Traditional Indigenous Food Systems, 28 July 2022, https://natifs.org/blog/an-introduction-to-responsible-foraging.
Liboiron, Max. Pollution is Colonialism. Duke University Press, 2021.
Kazior, John P. “Superflux Sets the Table for a More-than-Human Future at La Biennale Di Venezia.” MOLD: Designing the Future of Food, 16 Sept. 2021, https://thisismold.com/visual/art/superflux-sets-the-table-for-a-more-than-human-future-at-la-biennale-di-venezia.
Kurant, Agnieszka. Interview by Jason Farago. Even Magazine, 2015, www.evenmagazine.com/agnieszka-kurant. Accessed 25 Apr. 2024.
Kurant, Agnieszka, and Termite colonies. “_A.A.I.” MIT _docubase, 2014, https://docubase.mit.edu/project/a-a-i/.
MacBride, Cannach. “Care.” Climate Justice Code, by Climate Justice Code Working Group, Casco Art Institute: Working for the Commons, 2023, pp. 16-22, https://casco.art/wp-content/uploads/2023/11/CJC_online-171123-2.pdf.
Närhinen, Tuula. “Do It Yourself, Rain! Dabbling Drops, Splashes, and Waves: Experiments in Art and Science.” Leonardo, vol. 55, no. 6, Dec. 2022, pp. 627-34, https://doi.org/10.1162/leona02280.
Rothenberg, David. “David Rothenberg - Interspecies Musician and Philosopher." YouTube,
uploaded by NJIT, 30 Sept. 2010, www.youtube.com/watch?v=egZrPZQjqSw.
“Refuge for Resurgence.” Superflux, 2021, https://superflux.in/index.php/work/refuge-for-resurgence/#.
Seu, Mindy. “Cyborg Consciousness: How to Create an Anti-Canon with Mindy Seu.” Interview by Yana Sosnovskaya. Zine, 8 Aug. 2023, www.zine.zora.co/mindy-seu-cyberfeminism-index. Accessed 18 Apr. 2024.
Sidebottom, Kay. “Education for a More-Than-Human World.” EuropeNow, Nov. 2021, https://www.europenowjournal.org/2021/11/07/education-for-a-more-than-human-world/.
Simoniti, Vid. “Artistic Research at the Edge of Science.” OAR: The Oxford Artistic and Practice Based Research Platform, no. 1, 2017, http://www.oarplatform.com/artistic-research-edge-science/.
Singer, Hayley, et al. “Do-It-Together (DIT): Collective Action in and Against the Anthropocene.” Feral Feminisms, no. 10, Mar. 2022, pp. 7-10.
Social Sciences and Humanities Research Council of Canada. Research-Creation. 11 May 2012, https://www.sshrc-crsh.gc.ca/funding-financement/programs-programmes/definitions-eng.aspx#a22.
Steyerl, Hito. “Aesthetics of Resistance.” Intellectual Birdhouse: Artistic Practice as Research, edited by Florian Dombois and Ute Meta Bauer, Koenig Books, 2012.
The Care Collective, et al., editors. The Care Manifesto: The Politics of Interdependence. Verso Books, 2020.
Tingley, Jane. More-than-Human. OCAD University, 2023, https://www.ocadu.ca/sites/default/files/onsitegallery/morethan_human-11jan23.pdf.
Tsing, Anna Lowenhaupt. “Arts of Inclusion, or How to Love a Mushroom.” Manoa, vol. 22, no. 2, 2010, pp. 191-203, https://doi.org/10.1353/man.2010.a407437.
---. The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins. Princeton University Press, 2021.
---. “Unruly Edges: Mushrooms as Companion Species.” Environmental Humanities, vol. 1, no. 1, May 2012, pp. 141-54, https://doi.org/10.1215/22011919-3610012.
Van Patter, Lauren, et al. “‘More-than-Human Collaborations’ for Hacking the Anthropocene.” Feral Feminisms, no. 10, Mar. 2022, pp. 85-102.
Wark, McKenzie. Capital Is Dead. Verso, 2019.
Téléchargements
Publié
Numéro
Rubrique
Licence
© Oriana Confente 2025
Cette œuvre est sous licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International.
This work by https://journals.library.ualberta.ca/imaginations is licensed under a Creative Commons 4.0 International License although certain works referenced herein may be separately licensed, or the author has exercised their right to fair dealing under the Canadian Copyright Act.
