Vol. 5 No. 2 (2014): Terrorism and its Legacy in German Visual Culture

Articles

• Terrorism and its Legacy in German Visual Culture

  Noah Soltau, Maria Stehle

  4-6

  • PDF (anglais)

• AUSSTEIGEN (GETTING OUT) IMPOSSIBLE—MONTAGE AND LIFE SCENARIOS IN ANDRES VEIEL’S FILM BLACK BOX BRD

  Anja Katharina Seiler

  7-28

  • PDF (anglais)

• THE AESTHETICS OF VIOLENCE AND POWER IN ULI EDEL’S DER BAADER MEINHOF KOMPLEX

  Noah Soltau

  29-45

  • PDF (anglais)

• ASKEW POSITIONS—SCHIEFLAGEN: DEPICTIONS OF CHILDREN IN GERMAN TERRORISM FILMS

  Maria Stehle

  46-66

  • PDF (anglais)

• “INSPIRED BY REAL EVENTS”—MEDIA (AND) MEMORY IN STEVEN SPIELBERG’S MUNICH (2005)

  Thomas Nachreiner

  67-87

  • PDF (anglais)

• “JEDES HERZ…”: TERROR AND HORROR IN DIE FETTEN JAHRE SIND VORBEI

  R. Eric Johnson

  88-102

  • PDF (anglais)

• “MIRRORING TERROR”: THE IMPACT OF 9/11 ON HOLLYWOOD CINEMA

  Thomas Riegler

  103-119

  • PDF (anglais)

• SHOOTING HISTORY: AN INTERVIEW WITH SWISS ARTIST CHRISTOPH DRAEGER ABOUT THE REENACTMENT OF TERRORISM IN HIS VIDEO INSTALLATION BLACK SEPTEMBER (2002)

  Sebastian Baden

  120-143

  • PDF (anglais)